This eccentric abode, inspired by the mythical tower of Babel, sits within an angophora forest — the gnarly tree branches seemingly wrapping around and cocooning it. It’s part of a rocky platform which at times seems like a living thing as the rock meanders through the dwelling, forming part of the walls and
flooring.
In an area known for its sparkling sand and sea, this is a home that embraces its location in a distinctly different way. It was originally designed by architect Edwin Kingsberry in the early 1950s, with captivating 360-degree views — a unique and extraordinary home.
It’s known to locals as “the castle”, an abode that looks down to the sea below. Given its history and location, it was a complex project that spanned six years from start to completion. Robert Brown from Casey Brown Architecture says during the process, every concept, notion and idea was rigorously discussed and debated with owner Fiona Spence. “We wanted to deliver a home that respected the spirit and essence of the original dwelling,” he says. The work is a clever cohesion of old and new that honours the work of the original architect and enhances liveability, all while respecting its jaw-dropping location.
As part of the renovation, substantial repair to stonework and the roof was required, as well as renovating some sections and adding additional accommodation. The body of work was significant and included a new kitchen, master bedroom and study, as well as an ensuite and a two-car carport. A two-person cable car was added to make accessing the main living terrace easier, preserving the 95 stone steps. The main
bedroom and study are positioned to capture east-west views.
Once design plans were fi nalised, there was a sizable obstacle to navigate — transporting materials from the ground up for the project. Everything had to be shipped via a flying fox.
Earthy materiality governed the textural palette. Natural materials like terrazzo and stone feature, with stained black timber applied to the ceiling and timber panelling adorning the walls. “These were all meticulously stained and oiled by the owners,” says Robert.
It was the client’s idea to integrate the stone off cuts in the new concrete floors. The past is referenced by the tilting black timber doors (a nod to castle gates), a guillotine servery window and the jarrah and copper handles throughout the home.
With this project, preserving as much as possible of the original house was key. While the structural design didn’t change through the building process, the kitchen location did. “This took some time to resolve and it was finally located under the existing roof near the original kitchen, preserving the northern elevation and terrace close to its original form,” explains Robert. The new kitchen serves to connect the external patio, dining and bar area.
The renovation project preserved existing rocky outcrops and boulders. The sandstone ridge it sits on was the muse for the inspired design. One of Robert’s favourite aspects of the build, then, is no surprise. “The interface with the rock platform creeps into the building as the building steps up and around the site,” he shares. Driven by a desire to preserve, retain and incorporate eco-friendly practices, all timbers and paving was recycled from building sites.
This exceptional project is testament to the professionalism and skill of all of those involved. Robert notes that many craftspeople completed detailed and painstaking work on the project. “In particular, a multi-talented stonemason not only worked the stone but also the ironwork, paving, and had a hand in nearly all parts of the project,” he says.
Babylon is a home that feels like stepping back in time. A mythical, medieval place where you can almost imagine proud knights in polished armour and steely-eyed dragons soaring above. It’s a home that honours its past, while looking forward to a promising future.
